Mercury Rising: Metz Wedding Poem

Knap an arrowhead from a piece of flint

sharp on each side leading up to the point

Wonderful but useless until the projectile is launched

properly: shot so that it goes twisting

through the air.

Distance is determined not by the clean-cutting edge at the front

but by the purity of the axial rotation all along its trajectory.

The razor edges jigging around each other in a tight spiral

the body, like a javelin, purchasing lift from the air itself.

A winged foot lent by Hermes takes you across borders you never thought to cross before.

You fly, you travel far. You hunt love and trade in love. You make ordinary love look shabby, and even mythical lovers sit and write songs about your love.

Trust the mythical lovers who watch in awe to write the songs.

We will do it. We will sing them back to you to Godspeed you ever higher.

What prey can you pray for,

of any value, I mean,

that can be hit at such a short distance that your rotation

is of no consequence?

None. Everything valuable is deep, underground, distant, far, high, lofty, up in the storm-clouds, awash in lightning, shrouded in thunder, in short: anything but near at hand.

So the dance is everything.

Therefore, yes, you are sharp, but if you had not launched with your feathers

skyward, spinning, thrice propelled, by string and song and wedding feast! If you had not, old poets would come along and say “Alas.”

Well, then. Here they are, those old poets. We know that if you had not,

This voyage would have been but a crooked flight, a glancing strike, a blunt trauma.

But you did begin as you should: with the flourish of Robin Hood. cloaked and pranking evil, the eye of a kestrel darting, instinct of a barn swallow dive-bombing, an essential arc, a primal aerodynamic path, a minimized drag, a fletching set at an angle to your longitudinal axis, we digress, we have all become rather excited researching the flight of arrows and we geeked out on it at 3 AM, because we now see, and by “we” I mean that the ancient poets and muses all have agreed with me, that because you began this way:

You will soar,

I say, we all say, you will soar high

and you will pierce even darkness, which, as we know, has not understood any of this.

May the flint strike and drive through even steel

sparking a fire,

so that you find your hearts kindled even far off in the distance, across many seas.

The future awaits. Stay sharp and dance together.

Hone yourselves, but above all, dance together.

For God’s sake, smile while you dance, you fools,

whirl about one another and be in love.

 

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Alive, on the Road Not Taken

My dad posted Robert Frost’s poem The Road Not Taken this week on Facebook, in honor of the poem’s 100th anniversary.

I did not realize this poem was so old; as with many things that occur before our own time this poem was lumped in with “old stuff” in my brain and is kind of like my parents in that sense. Of course I know they lived through the Vietnam War but not WWII. I’ve seen my kids do this¬†lumping thing¬†with movies, “hey, was that movie made when you were a kid, dad?” (Um, no, Casablanca is a little older than I am.) All they know is it predates their own birth. So we all do this. There are only “before” and “in my days”. Before, there was Casablanca, Frost, Shakespeare, Lincoln and the Magna Carta. “In my days” includes things like Hank Aaron passing Babe Ruth less than two months after I arrived, Nixon resigning less than six months into my stay on this blue and green orb, then, not soon enough, Vietnam evacuations. I don’t remember it, I just know it was in my days. Something I lived through, albeit unaware. Let’s call that a grey area, perhaps, I was young and it was my time but all grey until Reagan was shot. Then I begin to remember. After that it’s not old stuff, it’s really my stuff.

But my father loves this poem (I did not realize how much until now) and in fact he enjoys a fair number of poems. He even committed some French poetry to memory.¬†Je mis mon kepi dans la cage et je suis sortie avec l’ouiseau sur la tete…¬†I remember him reciting it, it’s so funny, you see, because he does all the voices, the birdie and the commander, too.

I’m reflecting on the difference that it made, this path my father took. A way leads to a way and you never end up going back to try the other. Frost says it with a sigh, but I wonder, could it be a sigh of contentment? Sure, the poem seems to speak of potential lost, but, many choices, ways and ways down the Way, is one so disappointed?

Dad chose Mom, then, with Mom, to go to Africa when I was in a vulnerable stage, then to move to an out of the way town in Iowa. He chose to become a nurse and care for people who were dying, many of them living with great regrets and bitterness, but he loved them. He chose to live in a town, not a city, in a forest outside the small town. He chose to love his neighbors. Sometimes they didn’t appreciate him, or his best friends. Some of his friends, people he chose, were losers. He did not fall into bad company; he chose them as friends, another way among many ways, to love them. He chose to burn wood to warm his cottage like some kindly pauper in a fairy tale. He sharpened his chainsaw and hauled timber with a two-wheeled hand cart. The more ways that he chose along his Way, the deeper he went into the jungles and along the ponds and beside still waters and tucked in among the trees in an orange cap and knee-patched jeans and steel-toed boots. The more he chose these things, the less he aspired to anything some would call “bigger”. His father lived in Texas, where bigger is better. He chose smaller, instead. He acquired love like a real estate mogul acquires land, with ease and without a second thought, and with interest compounding. He spends his money now to visit his grandchildren. Compounding love is all.

Or did he choose? Was the poem itself ever really about choice in the first place? ¬†Maybe ¬†we’re all reading it wrong. [the link above takes you to an interesting article on that question.] Oh well. This has become more about my father and less about Frost now, so we leave Frost at this crossroad to debate the meaning of his poem posthumously with living academics, and move on.¬†If it’s true that Frost thought we really didn’t get to choose, and it was all the same, well, he never met my Dad.

When ways have led to other Ways, and we find we can’t go back and be someone we never were meant to be anyhow, (or when we find that the choices were intertwined with destiny) why would the sigh be anything other than one of peace, of having come so far only to find that, way back when, sometime after Casablanca and before the internet, we made a choice and it was good and had much laughter and a good wife and friends who we never would have met, if we hadn’t chosen to meet them, and so we kept choosing them every day, drifting back into history with the great poems, eventually to be lumped into “before”, but not quite yet, and even when those friends we knew die and we miss them so, we know they never would have been what they are to us without us having taken the Way we took.

Sigh, old men, but not with regret. Some of your laughter may already be in the grave in the silent mouths of friends gone before, but much of it follows you from points along the path where you made those choices to know and be known; you thought you had moved on, but the forks along your paths are tuned to a resonance that harmonizes with the chuckle in your throat which I can hear and will be able to hear so long as it is my time. You laughed when I said “are you waking up yet, Daddy?” and you still laugh when I amuse you, I can hear it in my ears whenever I have been humorous or clever. I can hear it in my heart when my son does the same. Because whenever I come to those forks myself I can hear you laugh, so, then; I weep with joy. Sigh, old women, your childbearing is done and your gardens can feature flowers instead of food. Instead of preserving for winters to come, you can paint pictures of desert sunrises because the sun keeps coming over that horizon as it travels on its own way. The earth herself makes no choices, she turns and turns, and “by turning, turning, she comes out right.” You have chosen a Way. I have heard the sigh, and no matter how you meant it, I interpreted it as one of peace with each decision, for that is how it appears to me,¬†so therefore, I will follow it. My brother and my sister will follow it. You have shown us what is good: To love justice, to desire mercy and to walk humbly with your God. It’s all lumped in with the “old stuff” and that’s just fine with me in my days.

When the world is in possession of the Way, 

The galloping horses are led to fertilize the fields with their droppings. 

When the world has become Way-less, War horses breed themselves on the suburbs. 

There is no calamity like not knowing what is enough. There is no evil like covetousness. Only he who knows what is enough will always have enough. –Lao Tzu